So much has happened in the last 48 hours that I’m a bit paralyzed with where to begin. So, just like an alcoholic in recovery, I’m going to take this ONE DAY AT A TIME. *deep breath*.
After I closed my laptop on Friday, I met Earl at the Zagreb Student Center to attend a panel discussion called “LGBT, etc” about the politics, implications, and limitations of the acronym LGBT. While, to be frank, there wasn’t much new ground being broken for me personally, I was pleasantly reminded of the important meetings and conversations of my younger days that laid the foundations for my present ideologies. I also was extremely grateful that the discussion was conducted in English. It is totally no fair that English rules supreme in the international language landscape, but I am so very grateful to be able to listen to people from Serbia, Italy, Canada, Israel, and Croatia and understand every word that was spoken. I also was downright ashamed that while I can barely carry on a conversation in Spanish about the weather with my coworkers, people from all over the world were able to have theoretical, academic conversations in their second or third language. What the hell, America? What the hell, Shane O’Neill? Let’s get our monoglottal rears in gear, mmkay?
After the panel I swung by the Queer Zagreb office to make my headdresses from the supplies they generously provided!!

I feel like a bit of a yokel getting so excited about such things, but the experience of having organizers who ask you what you need and then provide it for you is so novel and refreshing! I am a BIG FAN of all the hard-working organizers of the Queer Zagreb festival: a funny, competent, severe, and attractive bunch, I’ll tell you what.
I also enjoyed the atmosphere of the Queer Zagreb office which featured:

sex toys….

half-drunk beers…

…and a modest library of gay adult movies!
Following the construction of my headpieces–which took WAY longer than I hoped and I am vowing to not do again on this tour, goddammit–I met up with a pink-haired anarchist from Israel named Yussef whom I met at the panel. He was invited to Zagreb to lead a discussion of how Israel pinkwashes the controversy surrounding its policy toward Palestine by promoting itself as a state tolerant of its LGBT citizens. Um, talk about having the courage to take an unpopular political position in your country. I was also heartened to see that the accoutrements of leftism–veganism, bicycle fetishism, patches, body odor–cross international borders; I found these details strangely comforting. Yussef taught me the most vulgar Hebrew term for semen: “Schpich.” Although its similarity to an ugly ethnic slur will probably limit my use of it Stateside, I found it a very fun word to say over and over again, much to my delight and Yussef’s tolerance.
We met up with Earl, who was with Jonny Woo, a London-based performance artist that I knew about via BUTT Magazine. I was excited and nervous to meet Jonny because, put quite simply, I thought he was way cool. Like, way way cool. As it turns out, my anxieties were grounded: Jonny Woo is, in fact, way cool. Like, way way cool. And also hilarious, smart, fascinating, and cunty. Just the way I like my fags.
We took in an INCREDIBLE performance by the Cape Verde-based performance artist Marlene Freitas. Marlene was wearing a backwards sheer blouse with one sleeve, a backwards sheer figure skater’s costume also with one sleve, a long clip-in braid, and a feather boa as skirt. In other words, she was my style icon. Her performance included sustained aggressive hip gyrations while she worked a set of wax lips in and out of her mouth, eventually chewing them up and spitting them out with much drool and fanfair. This literally lasted half an hour and was–a bit surprisingly–completely riveting. The racial implications of her exaggerated lips, her hip rotations, her repeated eye-crossing, and her gradual smearing of black greasepaint across her face all reminded me of one of my heroes, Josephine Baker and she made me feel verrrry verrrrry racist for liking her. Stupid art challenging my assumptions and tastes. *shaking fist* Where do you get off?
Following her show, we made our way to a restaurant called Nokturno where we ran into a group of other folks from the festival, including Marta Soares, the lady who had buried herself in sand the night before. I asked her if she was OK following the performance. “I am okay now, but I was not okay before,” she replied cheerfully. “That is why I made the piece!” When I asked her what had bothered her, she merrily told a tale of living in Tokyo to study Butoh under Kazuo Ohno, a legend in the field whom I had been introduced to via the cover of Antony & The Johnsons’ The Crying Light. “The classes were very strange,” she explained. “They were all at Kazuo Ohno’s house. We would meet in a studio in his yard. The other students would show up wearing jeans or leather pants and would smoke constantly before class started. Our teacher would then show up with a translator and give a lecture. Most of his lectures were very surreal and were about his relationship with his mother and the fact that we are all constantly caught between the realms of the living and the dead. After 2 hours, he would just say ‘Now, dance,’ and we would dance for one hour. I am from Brazil, and I have lived in New York and London and I have taken dance classes all my life. I had never experienced a dance class like this anywhere.”
Marta said she felt quite alienated living in Japan. As an example, she told a story of a weekend trip she made to Kyoto. Several weeks following her visit, a package arrived at her door back in Tokyo. Inside was a photograph of herself eating at a restaurant in Kyoto. Someone had taken her photo, somehow tracked down her home address, and sent her a copy of the photo. Marta said that strange stories like this happened so frequently that she began to lose her grip. (SIDE NOTE: I just noticed that “Tokyo” is an anagram of “Kyoto.” You heard it here first.)
Her alienation in Japanese society, combined with the strange Butoh practice in which she had immersed herself led to a nervous breakdown. “It got to the point where I was so depressed that I was not eating and could not sleep during the night. I would only sleep during the daylight. Whenever I was asleep I thought I was in Sao Paulo. I could not tell the difference between being awake and being asleep any longer, so I never knew if I really lived in Japan or Brazil. After that, things got strange.” And that, ladies and gentlemen, was the inspiration for her epic piece “Vestigios.”
Following dinner, we rushed back to the apartment in a cab to change into our night looks. In a stroke of serendiptiy, Jonny and I both wore outfits involving Aquamarine spandex, although my outfit came from Rainbow and his was “a gift from my friend who met the Heatherette boys and snagged a free catsuit.” Lucky cunt.
When we arrived at Hotpot, Colin Self, Gio Black Peter M Lamar and our angel Nathan who volunteered last minute to drive them, were JUST arriving from their 12-hour sojourn from Berlin. I just need to say that I adore those boys. Just a wonderful bunch of performers. It is an HONOR to tour with them and a fucking PARTY to hang out with them. There was much hubbub and excitement since the “Diane Sawyer of Croatia” was filming in the bar, although I never saw a female among the camera crew and never was able to get a name of the TV show for which they were filming. I also got a taste of the fear some gays live with in Croatia when I saw a man cover his face with his jacket and flee the club once the cameras came out. Sad face.
Jonny and Gio turned out amazing, brief high-energy sets, Colin gamely honored requests for Madonna and Dead or Alive (although he didn’t get around to my request for Google Me), and much dancing and merriment ensued. An old man kept following me around the club and would repeatedly hug me and not let go. He whispered in my ear over and over again. “I am gay. I am gay. That is my girlfriend. She is lesbian.” I didn’t exactly know what his angle was, but if he was trying to get in my pants, he really needed to modify his approach. I also had a feminist crisis moment while chatting with a girl at the bar. “I had a terrible day. I have to go right now.” “What happened?” I asked. She looked at her watch and in a monotone said “My boyfriend. He rapes me.” Her blase attitude threw me for a loop. Is sexual violence so prevalent in Zagreb that women just accept the fact that they get raped? “That’s terrible!” I said and touched her arm in a way that I hoped would convey sympathy and comfort. “Yeah, I have to go now. He is in the car and he waits me.” I was very relieved.
The night was mayhem, the beers were flowing, and a good time was had by all.
And yet.
Once again, along with the revelry came lots of contemplation re: the state of gay rights in Zagreb and beyond. When I arrived at Hotpot, I realized that I had run out of cash. I asked the doorman where the nearest ATM was. His eyes widened. “It is three blocks away, but it is not safe for you to go if you are dressed that way,” he told me.
The genuine fear in the doorman’s eyes alarmed me. Although I have–knock on wood–never been gay bashed, I know it happens everywhere, and has happened to most of my gay friends at some point or another. While I was wearing a look that would have certainly turned heads in New York City (thankyouverymuch), and I was intentionally trying to provoke in my choice of clothing, being faced with the reality that I–me, my own self right now–could be in physical danger because of some leggings and a hairpiece was a scary, sobering realization. Scary, sobering and also infuriating. It’s no doubt a product of my position of privilege as an American (not to mention a cisgendered able-bodied white male….) that I was outraged at the prospect of being told what I should and shouldn’t do. A part of me wanted to stamp my foot like a child and scream “I DO WHAT I WANT!!” So I thought of my friend Justin, who showed up to his first day of high school in Wisconsin in the 80′s wearing a mohawk, and started walking with purpose to the ATM.
Of course, I probably should have remembered that Justin also got beat up on the first day of high school. DON’T WORRY. Nothing happened. I barely even saw another person in my quick cash run. But for those three blocks, I found my heart racing. I immediately felt stupid for having ignored the the advice of the doorman, for not having the patience to wait for a friend to go with me, and for the fact that if my poor parents knew what I was doing at that moment they’d have a heart attack. I also couldn’t shake the fact that if–god forbid–something had happened to me, I couldn’t say that I wasn’t warned.
Even though I know in my heart of hearts that a world in which you can walk in public in any state of drag you’d like is a world I want to live in, I felt embarrassed at my insensitivity to the customs of Zagreb. Truth be told, there was a part of me that thought, “These people think they know all about the dangers of the street, but I’ve been doing this for years, and nothing’s happened to me! I’m from America, where gay rights were invented!” Yeah. That’s not exactly the kind of attitude I should be throwing around when I’m a guest in someone else’s country, is it? Even if I should be able to roam the streets in any clothes I damn well want, for crying out loud. Stupid real world, challenging my assumptions and decisions. *shaking fist* Where do you get off?
Anyhow, at the end of the night, we were figuring out our afterparty plans. We were given three options by Tina, one of the organizers: a mainstream dance club called Syrup, a dance party at a place called Slaughterhouse, or a party at an anarchist squat-turned-venue called Medika, where last year’s Pussy Faggot was held. I successfully campaigned for a trip to Medika.
Attention DIY proprietors of the world: check out Medika if you ever have the chance. Two massive spaces, a gorgeous courtyard, and hundreds and hundreds of people. And–of course–the familiar trappings of Anarchist Collectives all the world over, Crimethinc Gender Poster and all. I was, naturally, enamored of the place. And, also true to form, when i would express enthusiasm for the venue, the crusties would shrug and say “the scene here sucks. It is the same people all the time. I want to go to….” and would name some other city. The grass is always greener…
Colin, Earl, and our wonderful driver from Berlin, Nathan, were immediately swept up by two cute girls from Zagreb. In what was becoming a mantra I heard repeated everywhere I went in Zagreb, one of them said “Here, you can dress like this. Out there, they will kill you.” In addition to finding these comments scary and infuriating, I was also starting to find them quite boring. Just for a change of pace I would have liked someone to say “You should go jogging at night dressed that way! Everyone will think it’s a hoot!” Anyway, we were met with much curiosity, photography and giggling, as per usual. One boy in particular kept looking at me and audibly scoffing. When I would move my hair out of my face, he would imitate my gestures exaggeratedly. After a few minutes he came up to me.
“Why are you dressed that way?” he asked me. “I’m here for the Queer Zagreb festival,” I responded. “Yes,” he said, “and obviously you are gay and I have no problem with that. But why do you want to look like this.” Unexpectedly, this led to a long and interesting discussion of the merits of assimilation vs. radicalism. The point I kept returning to–a point that I’m increasingly passionate about–is that the LGBT community needs both wings in order to successfully coexist with the straight world. As much as I roll my eyes at the concept, “normal” and “straight-acting” gay people do serve a purpose: they ease heterosexual anxieties about the difficulties of living as a gay person, and can transmit a germ of tolerance that can eventually change the mind of someone with an anti-gay stance. But we also need the freaks and the weirdoes. LGBT people–youth especially–need to see that there are other people out there who also feel like misfits and have the courage to live radically, to look insane, and to “freak out the normies” as the kids say (don’t they?). Hell, it’s not just for the sake of gay people, it’s for the sake of all people that feel alienated. Blessed are the freaks, sez me.
Our conversation lasted a very long time. In addition to gay issues, we talked about Civil Engineering, architecture, and the unemployment crisis in Croatia. He then abruptly returned to gay issues. “Look,” he said. “I wanted to ask you about why you are like this for a reason.” As it turns out, his older brother recently came out to him. “He is gay. He is not a gay like you, he is a normal gay” (I couldn’t help but laugh at this) “But now he wants to tell my parents. I don’t understand why he has to tell them. I don’t care what he does, but this will break their hearts.”
I thought about the undertones of cultural imperialism that were informing my trip to Zagreb and felt slightly sheepish and very emotional. I came on this tour to party, entertain, network, and generally have a good time. But the message of Pussy Faggot! in general, and I hope Shane Shane in particular is that being gay is good, and that being loudly gay is better. But really, who am I to tell this man that his brother is right in coming out to his family? What does my (extraordinarily uneventful) coming out story have to do with a 25 year old gay man in Herzogovina whose Catholic mother is offended at the sight of straight people holding hands in public?
I struggled to offer advice. I told him, first of all, that he might be surprised, that lots of parents who start off as anti-gay come around one way or another to their gay children. This is true, of course, but it’s also a bit condescending considering that I have never met his parents and know next to nothing about his cultural heritage.
I thought of a friend of mine who works with children. She knew a biological boy who, with the support of his family and the care of a doctor, was transitioning to live as a girl. As you might imagine, the question of trans children is a bit of a hot button issue even among staunch supporters of LGBT rights. My friend made a comment that stuck with me: “I wish I could just convey to people that the decision to transition isn’t about the difference between things being OK and things being better, it’s the difference between things being unbearable and things being OK.”
With this in mind, i offered my advice. I told him that I hoped that his brother’s coming out didn’t destroy his relationship with his parents. I told him that his brother’s coming out may seem selfish, and it may seem like he’s “throwing it in their face” but to try to remember that not living honestly, not sharing a vital part of yourself with the people you love most and are closest to can cause deep pain. I told him that before I came out to my parents at 19 (well, really just to my father at that point but, um, my dad’s a pretty sharp guy so it wasn’t exactly a surprise….) I didn’t realize how much keeping that from my father had put a barrier between us that loomed larger than the details of my sex life and that telling him made my life better in ways seemingly unrelated to my sexual orientation. And I told him to remember that for his brother, coming out wasn’t a question of going from OK to better, it was a question of going from bad to OK.
I think it was good advice. I hope I’m right.
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